Artistic Director/Choreographer/Performer, Heidi Latsky Dance
Former Principal, Bill T. Jones/Arnie Zane Dance Company

Heidi Latsky, originally from Montreal, first received recognition as a celebrated principal dancer for the Bill T. Jones/Arnie Zane Dance Company (1987-1993). Her experience there profoundly influenced her style and her philosophy of dance as she developed a reputation in her own right as a choreographer for stage, theater, and film.

In 1993, she received a commission from the Cannes International Dance Festival. Three years later, she was chosen to represent Canada at the Suzanne Dellal International Dance Competition in Tel Aviv and at Danse a Lille in France.  Since then, Latsky has toured extensively throughout the United States and Europe with her own company and as part of Goldhuber & Latsky, with former partner Lawrence Goldhuber.

Latsky headed the Movement Department at The School for Film and Television from 1998-2005, where she developed her teaching practice:  The Latsky Method.  She has taught internationally throughout her career and her “Movement Portraits in Action” program has been implemented at the AIDS Service Center and The Creative Center in NYC.

While working with Theater Director Mary Fulham, she received two Innovative Theater Award nominations.  She served as choreographer on Academy Award nominated Katja Esson’s film “A Season of Madness” and as director and choreographer on Susan Murphy’s GIRL/GROUP at the Marquee, NYC (2003).

In 2001, she founded her own company, Heidi Latsky Dance (HLD).  During the fall of 2006, Latsky began an intensive period of creation with bi-lateral amputee, Lisa Bufano. This marked a significant shift of focus for HLD and a period of immense growth, during which she more fully developed the company’s mission and vision.  HLD received an ARC grant through Pentacle that included mentoring Latsky for a period of 18 months, and in 2009 she was chosen by Creative Capital Foundation as one of four choreographers nationally to receive a three-year award for her evening-length work, GIMP.  In 2014, she was selected as the first participant in “Dance for Film on Location at Montclair State University,” a three-year short film series underwritten by the Andrew W. Mellon Foundation.  The film premiered as part of the company’s live show at Peak Performances in April 2015.

Her range of work is as varied as guest lecturing at Harvard University, performing with other Bill T Jones’ alumni in “SUMMER REUNION,” restaging a piece of Arnie Zane’s at the University of Wisconsin/Milwaukee, creating a work at the Aaron Academy for high school students with learning disabilities, directing workshops in performance skills, performing in 2012’s TEDxWomen, and developing new works for her contemporaries like Li Chiao Ping as featured in several films by Douglas Rosenberg, including Seven Solos in 2012.

Latsky is an advocate for disability rights and serves actively on the Disability Task Force for Dance/NYC. As a core part of its mission and work, HLD is committed to reflecting the diversity that it serves and actively follows the disability rights movement by embracing ‘nothing without us’—that is, its practice in choreography and performance and its composition of board leadership and staff has the representation and full, direct involvement of disabled people. She has sustained partnerships with Commissioner Victor Calise of the Mayor’s Office for People with Disabilities and the NY Academy of Medicine.

Latsky has continued her work as an adjudicator of the American College Dance Festival Association’s (ACDFA) and serves on the Artist Advisory Board of Danspace Project.  She has a BA in Psychology with Honors from Carleton University (1979), receiving the Senate Medal for Outstanding Academic Achievement and The Ottawa Ladies College Scholarship.

Latsky’s recognition in the dance community include the follow awards: Creative Capital Award (2009-2012); McGinnis Lectureship Award from Point Park College (2000); Scripps/ADF Primus-Tamaris Fellowship for Choreography (1997); Canada Council B Grant (1986); and Floyd S. Chalmers Award/Ontario Arts Council (1983). She has received commissions from: 10 Hairy Legs; 92nd Street Y; Harkness Dance Project; American Dance Festival; Cannes International Dance Festival; Celebrate Brooklyn!; Danspace Project; Dance for Film On Location at Montclair State University; Dancing Wheels;
Joyce Theater; Libre Echange; and the Whitney Museum of Art.